This post precipitated out of the current litigation over whether mainstream influencers with near-identical content have defensible intellectual property rights to the stylistic aspects of their work and personal image. Influencers seem to have a role in so many fashion ecosystems, yet the lolita community doesn't really support this niche.
Lolita Skills
The past couple of weeks have been rough. As a trans person in the thick of U.S. politics, I haven't felt this concerned about domestic policy and its immediate ramifications for my friends and family in a long while. Fashion is a solace in this trying time-- moreover, it has given us all important skills for the future.
Bibliotheca: Femininity
I'm late for this, but it's time for Bibliotheca, with the theme of femininity.
I've been getting ready for a move and dealing with a series of large work events, but I'll be able to blog more after! With that in mind, this post will be shorter and less well-cited than most of my posts, but I hope it's up to snuff anyhow.
Anyway, this is a great time for me to expound on one of my favorite topics: I am not a woman but I respect women a lot.
Bibliotheca: Dreaming of Dresses, Praying for Pieces
It's a new year, it's Bibliotheca Time, and the bosses at the Content Factory (where I have been imprisoned for skipping a month of blogging) have given me the admirable task of writing about Wishin' and Dreamin'. And for what do lolitas wish, and of what do they dream, if not Wishlist Items and their Dream Dress?
Bibliotheca: The Mortifying Ordeal of Being Known
It's Halloween, it's Bibliotheca, and like the shriveled monkey's paw of a human being that I am, I have to put an unexpected, cursed twist on every wish and prompt unfortunate enough to come my way. More specifically, the prompt of the month is Horror. I'm pretty good with typical horror-- I don't scare easy, though I do startle at loud noises and fascism. But what really scares me in my lolita life is visibility.
Bibliotheca: Being Grateful
Land Acknowledgement: This blog is written on the traditional lands of the Doeg people, who were exterminated after years of sustained genocidal endeavors by colonizers of European descent.